Episode 313: Sara Toussaint on How Brands Activate in Sports and the Value Prop for Women’s Sports and Athletes

Watch or listen to episode 313 of the Digital and Social Media Sports podcast, in which Neil chatted with Sara Toussaint, Co-CEO of TMJ and Head of TMJ Catalyst. She’s also co-owner of the NWSL club North Carolina Courage and Liga MX club Querétaro F.C.

Sara discusses the work with women’s sports athletes and brands at TMJ and TMJ Catalyst, and lessons learned from her background working in sports sponsorships with Wells Fargo and experience at Major League Soccer, Major League Baseball, and more.


54 minute duration. Listen on AppleSpotify and YouTube

What Fan Development and Sports Brand Building Actually Look Like in 2026

The word ‘fan’ is thrown around far too liberally nowadays.

Sports, entertainers, creators, influencers, everyday individuals — they can all regularly reach and engage millions of people every day. However, not every person who consumes, watches, engages, and even shares or saves is a fan. Likewise, not every person who attends a game or show is a fan. Your favorite team’s biggest fan may never attend a game or watch a game, but their closest is full of team swag and merch. That is, if a team is even the focal point of their sports fandom in the first place.

Developing true fans (remember, fan is short for fanatic) requires something more than exposure. Fandom is a journey, and it can manifest in diverse ways. As more brands and properties emerge with dreams of building their own fan base, there’s an increasing diversity of pathways to fandom and definitions of it.

Alyssa Meyers encounters a variety of strategies and tactics to create fans, engage them, activate within fandom, and identify new forms of fandom that are worth paying attention to and exploiting. A senior reporter for Marketing Brew, one of Meyers’s main beats is sports, a broad look at the business of sports and sports-adjacent brands and properties, how they market, how partners participate, how fans engage, and the trends and tactics that play out in this dynamic space. She told me about the avenues to fandom she’s been seeing in her conversations and reporting, as countless leagues and properties seek to earn their spot in the zeitgeist and the fan base that can come from that.

“I hear a lot about [the ‘next gen fan’], see a lot about that, and write a lot about that. I think it’s smart. I’ve been seeing it a ton, especially lately in motorsports,” said Meyers, who picked up the sports business beat only after joining Marketing Brew. “I think after what happened with Formula One in the US, even F1 and teams are still, I think, focused on, Okay, we have this new audience. They’re young, they’re women, they’re from parts of the world that we have not reached before. They’re here, they’re interested. How can we make them a fan of our team? How can we make sure that they will wake up at eight in the morning to watch a race in Abu Dhabi, as opposed to just watching Drive to Survive?…

“Fandom starts so young,” she said, elaborating on the focus to develop young fans. “People say this to me all the time in conversation. I think the sports marketers that are really knowledgeable about this do say things along the lines of, We’ve done studies, we know fandom starts when you’re three, four, five years old, super young, so why would we not think about a fan’s journey from that young age?”

In some ways, it’s never been easier to cultivate fans, with sports intersecting with so many parts of culture. In other ways, however, the competition for fans’ attention, hearts, and minds has never been greater, with fewer barriers to entry and massive audiences up for grabs every day. The result is more creativity and innovation in sports marketing tactics, from collaborations across verticals, unique merch, and even mascots making moves. Meyers described a bit of what she’s been seeing and reporting about, including her personal experiences as a fan.

“I’m so excited about what brands and teams and leagues are doing with mascots lately,” said Meyers, who told me about some of the fun activations with Ellie, the New York Liberty’s feminine elephant mascot. “That has been such a fun story for me to follow, because I do think that brands can play a role in developing the profile of a more rising team or league or sport. There’ve been some really cool campaigns with mascots, and I think that’s so fun.

“Partnerships with musicians, fashion collabs, I think, have been really cool, the NFL’s new partnership with Abercrombie this season.” Meyers also noted. ” It’s been amazing to see merch across the board get a little bit cooler, more stylish. I don’t just have to wear some big jersey that’s not made for a woman. I can spend money on a really cool jacket from my favorite team, or something like that. There’s just so much exciting stuff going on.”

The strategies playing out with various collaborations are the tip of the spear for fan development, very much integral in generating awareness, consideration, and conversion of new fans. And this is where that definition of fandom expands, with a growing number of devotees who may know little about the actual games, let alone the X’s and O’s, but still adopt something of the brand, the team, the athlete, the sport, into their identity. There are fans entering by association, too, who become true fans because an influencer or celebrity with whom they have a parasocial relationship is a fan — it’s a way to feel closer to the community and other fans; fandom by proxy.

Meyers spoke about the brand and influencer relationships, and how there are ‘new types’ of fans developing.

“I think brands do play a role, like doing innovative brand partnerships with big name companies that have an audience, even if it’s not fandom of like a sport. But I think there’s something to be said for that,” said Meyers, whose coverage goes well beyond mainstream sports to even fitness competitions like Hyrox. “I think some of the more lifestyle, entertainment partnerships are really cool.

“In the influencer vein, you think of music — there are creators in the music space, creators in the fashion space, creators in the food space — I’ve seen a lot of teams invite those people outside of sports, invite them in, have them come to a game, they do content that now their followers, who maybe only care about fashion, now they’re saying like, Oh, cool; like, we can go to this game and wear this merch. And it’s a whole new type of fan that you’ve unlocked. I think that a lot of organizations have had a lot of success going that route with something a little more unexpected, whether it’s a brand partner, an influencer partner, whoever, just branching out and getting new fans that way.”

Even some of the longstanding avenues to fandom are fading in importance in modern times, too. The primary motivation for fandom was originally local pride. You cheered for the local team, went to the games, watched the local broadcasts (those were often the only games you could watch), fell in love with the athletes, and then fell in love with new athletes as the roster changed over time. But now, outside of the limitation of regularly seeing the athletes and team IRL, there is no friction with being a fan of a team even a continent away, or an athlete, regardless of which team they’re on at the time.

This new reality has created new forms and categories for fandom, and new opportunities for sports properties to explore, Meyers explained.

“I think it’s incredibly feasible [to drive fandom outside of the region] for so many reasons,” she said. “I mean, look at the Premier League, look at how many Man City fans live in the US. I think there are some stats [that say] like 90% of Man City fans don’t live in the UK. You do not have to have that tie. I think the Premier League is an amazing example of that.

Meyers continued: “We already talked about how important connections with athletes are. In this day and age, you can build a team brand and have people root for your team just based on athletes, not based on the city. It’s sort of like the Athletes Unlimited model as well. They are another one that’s kind of doing this…

“I have come into sports fandom in so many different ways. And sometimes you have to pick a team; everyone isn’t going to grow up born into fandom. You don’t always pick a team based on where you live. People move around. So, yeah, I think there’s a lot to be said about building a brand for a sports team that isn’t solely tied to the market or, geographically speaking…Everything is streamed; you could watch whatever team from whatever city.”

It’s not just the aspects of allegiance that are affecting how fandom is formed and manifests. The nature of consumption and engagement is evolving, too. There is no single funnel for sports marketers to work within anymore. The right funnel for every fan doesn’t lead to buying tickets or tuning into live games, necessarily. Particularly as teams and leagues seek to cultivate fans all over the world, they’ve had to adjust their definitions of fandom, aligning with modern fan traits and behaviors. Meyers described some of the ways sports properties are adapting to the emerging ways that fans are formed and want to engage.

“They’re clipping and putting value behind highlights and saying, Okay, people maybe don’t want to watch the whole game,” she said. “Maybe they can’t because they’re in a different time zone. That’s perfectly fine. We’re going to post a ton of highlights. If you only want to watch the highlights, that’s okay. That’s valuable. If you convert into buying a ticket or watching live from that, amazing. But if you don’t want to do that, that’s okay I think is the approach that a lot of marketers are taking, and I think the business case for it is integral.

“I think a lot of women’s soccer, when I think about the business of international sport, because I’m a fan, but also that’s a big conversation in terms of the player talent right now is, US stars that are based here, they can get paid a lot more money if they go play in the UK. and some of the biggest stars are. There are big disputes over their contracts now to keep them in the NWSL and vice versa. There are international superstars who are huge in their countries and on their national teams. Barbra Banda, Marta, like all these people who play in the NWSL. So you have to [develop fans internationally], and the league can monetize its fans in other countries. You just have to, because of that baseline reason that the talent is crossing countries more and more.”

Fan segments are increasingly diverse and complex. The motivations for fandom and pathways leading to one’s loyalty and expression of identity are more varied. The business strategies, in turn, are necessarily evolving to meet the new paradigms, reimagining sports marketing and embracing the cross-cultural nature of sports fandom today. But don’t mistake exposure for engagement, and don’t label engagement as devotion. Fandom is more than just a passing fad or a stop of the scroll; it’s about capturing a part of someone’s heart and mind.


WATCH OR LISTEN TO THE FULL INTERVIEW WITH ALYSSA MEYERS

READ THE SNIPPETS

CHECK OUT ALYSSA’S WORK ON MARKETING BREW

How Sports Brands are Activating, Building Fandom, and Growing Their Footprint and Bottom Lines

On episode 312 of the Digital and Social Media Sports Podcast, Neil chatted with Alyssa Meyers, Senior Reporter for Marketing Brew, who writes extensively on sports marketing stories, backed by interviews with leading sports executives, as well as data and case studies.

What follows are some snippets from the episode. Click Here to listen to the full episode or check it out and subscribe to the podcast via Apple or listen on Spotify or YouTube.

Episode 312: Sports Marketing Insights and a 2026 Primer from Marketing Brew’s Alyssa Meyers

Watch or listen to episode 312 of the Digital and Social Media Sports podcast, in which Neil chatted with Alyssa Meyers, Senior Reporter for Marketing Brew, who writes extensively on sports marketing stories, backed by interviews with leading sports executives, as well as data and case studies.


82 minute duration. Listen on AppleSpotify and YouTube

2026 Sportsbiz Reset: 20 Questions and Concepts to Stimulate Next-Level Conversations for the Year Ahead

The audiences are more accessible. The TAM has never been bigger. And the position of sports at or near the center of culture around the world is clear. In 2026, the aperture is wider than ever for sports and digital/social, so teams must focus on impact with the metrics. The ‘so what’ as a colleague of mine likes to say.

There was once a time when organic reach with one’s followers was 15-25%, but now no reach is guaranteed. But the path to reaching and engaging audiences is simple — create good content that your desired audience will enjoy.

That has changed the equation. Virality is a dime a dozen nowadays, relatively speaking (random accounts go viral on TikTok every day), but creating metrics that matter, building deep relationships, and cultivating (and participating in) engaging communities are where the strategy and the ‘so what’ lie.

Last year, I wrote about a variety of subjects for the sports industry to consider in 2025 (in-game social, community management, micro-communities, niche content, creator strategy 3.0, content franchises, +Experiences, generative AI, games, drops, Live, and much more. Many of those topics and concepts covered last year remain relevant a year later.

But as 2026 kicks off, I want to try something different, quick-hitting sparks that’ll hopefully provoke internal or external conversations or new approaches. The so what and the opportunities in plain sight, if developed intelligently.

Pulling from my day job, I’ll start with ten tips about how to approach data analysis, data-driven strategy, and storytelling more effectively. Then, I’ll highlight ten areas ripe with opportunity, building on behaviors and paradigm shifts playing out as the new year begins.

I’m no expert, and I’m hopeful any prognostications will not be 100% correct (you’re not taking bold swings then!). But the value of these columns is to think about what you’re not thinking about, ask the next-level questions, and stimulate compelling conversations to strive for greatness in 2026 and beyond.

Mean/Median/Max

You might remember those terms from middle school (elementary school?) math class, but it’s important in any job these days to understand and appreciate the difference between the three. Each tells a distinct, data-based story about performance over time and benchmarking, and each can be spun or misconstrued if not dealt with objectively and comprehensively.

Mean is the good ‘ole average. You may think about average reach, average engagement, average engagement rate, etc. — and that’s fine. But don’t be blind to the fact that the same average can be achieved in a lot of ways, and tells a different story. One super-viral post can frost over weeks of subpar performance, or evenly distributed base hits can add up. Which brings us to…

Median. You remember median? The middle number. This is only useful (imo) across a large enough data set. If your median is significantly different than your mean, it means you may be bottom-heavy or top-heavy. It may obfuscate your big home runs (or vice-versa), though (which average an account for), which brings us to…

Max. What does peak performance look like? Is it getting higher every year? All of this stats talk is why I’m a fan of a moneyball approach to metrics. Would you rather be Luis Arraez or Kyle Schwarber? You can end up at the same average engagement/reach, but I’d rather have a higher slugging percentage, even if the batting average is dicey. This all leads to…

Ask the hard questions

Celebrate your increases. Rally around the stories that put performance in the best light. But don’t run away from the hard questions — run towards them. Is that high engagement rate because of lower reach? Did the metrics go up mainly because of a record-breaking performance or something out of your control? That’s fine! But acknowledge it and maybe even compare it to the last analogous predictably high performer. Red team your best data performance stories — what are the factors that drove it besides you and your staff being great at your job? And vice-versa, where was incremental value created where it would be unexpected?

It’s not always easy to be honest and ask the hard questions, but it’ll present a clearer picture and uncover greater insights. Which brings us to…

Ask the next questions

Your numbers are crushing it. Benchmarks are getting surpassed, the highs are higher and the lows are, well, higher. That’s great, but so what? Do the five whys (originated at Toyota) or something like that. Ask why — why did performance improve, why will that ‘success’ matter, etc. etc. This isn’t just about retrospective, but forward-looking, too. It forces one to get deeper into the heart of the matter and think beyond the silo of the day-to-day tasks or departmental job. Don’t turn every finding and insight into something bigger than it is, but ask those next questions about what it means, why it matters, and what action could or should be taken next. And always keep in mind…

Context matters

Nothing happens in a vacuum. There are factors that can enhance, diminish, or dilute performance. Metrics for success, in definition and scale, can differ depending on resources, circumstances, and even vibes. The team with engagement metrics through the roof can get there from the team being unexpectedly great (yay!) or unexpectedly awful (fans are pissed) — that fans are actively interacting is almost always a good sign, but there’s a different story playing out in each case, and, for some brands and businesses, that can mean everything. Similarly, be careful with comparison. An organization with endless resources is probably going to be able to churn out more and bigger metrics than one operating super-lean (but not always, and that’s why context matters and can tell a richer story!). A player receiving thousands of photos from his/her team may end up posting team content more often than another player receiving only a few pics throughout the year. A month-over-month comparison may look different if the team played X more games in that month compared to another month, or one season had a huge trade and free agent signing and one didn’t. This isn’t about excuses, it’s about understanding the full context and not leaning into vanity metrics with no meaning, which leads to…

The Thing About Views

‘View’ counts can be deceiving. Or, at least, they tell only partial stories. In sports ticketing, the industry often talks about FSEs (full season equivalents). You could get to 5 FSEs through sundry paths. One full season ticket and eight half-seasons, a few quarter seasons and a hodgepodge of miniplans, etc. etc., you get the idea. Similarly, there are innumerable ways to think about, say, a six-minute video. The viewers that watch only a quarter of the video matter, so do those who watch the whole thing, and everything beyond and in between. But here’s to taking an FSE-approach to videos to more effectively understand success (among many other ways to slice and dice watch time and trends!). There’s another level to this, too, which is…

Audience matters

Sometimes, oftentimes, who you reach matters as much, if not more, than how many. Audience goals go beyond the highest numbers and once you understand, you can operate on a higher level of strategy. I’d rather my podcast reach the 100 thought leaders in sports business than 1000 random people, for example. The goal of every post, every platform, every strategy is not always to reach the biggest audience, but the biggest right audience. Sometimes that means everybody. Super Bowl ads are valuable for a reason. But some businesses and brands may only care about reaching parents, high wealth individuals, students, Hispanic audiences, subsscribers, non-subscribers, etc. etc. Your audience goals require more nuanced measurement and thinking. As do…

The Unmeasurables

Some of the most valuable impact is simply not measurable. And that’s okay. We can’t measure how often a fan randomly thinks about the team or brings them up in casual conversation. It’s difficult to measure content driving someone from liking to loving a team or player, the degree of emotion and identity one feels. It’s hard to measure a fan or partner perceiving a team’s dedication to a community initiative or project, even if they don’t engage with your content about it. This list can go on and on — and I’d say it’s well worth your time to brain dump and document all the things you cannot (or believe you cannot) measure, and in turn understand the correlations for those meaningful unmeasurables. But also have your eyes open to…

The forgotten measurables

We’re drowning in data, but it’s helpful to consider what you’re not measuring, too. One of the most useful analysis sessions to do periodically is to consider what things you know that you don’t know (as confusing as that sounds). That content that’s flopping on organic social media may be crushing in your app, on paid social, or email. How is the growth and/or virality of your athletes or even your sponsors (especially endemic sponsors) being considered, if at all? Are you keeping track of the composition of your audience over time and across platforms and posts? What’s happening to your contests and sweepstakes when it comes to clicks, conversions, and down-funnel activities and revenue? We can, and do, measure a lot, but there’s also a lot we cannot or do not. But that also ties a bit into…

Compounding measures

We talk a lot about connecting dots and stacking wins. But don’t just talk about it, put it into practice when evaluating results and drawing out actionable insights and plans. When you’re growing or succeeding in one area, it can (and, really, should) lead to success in connected areas. Organic content strategy can success can inform and improve paid strategy. Growth rates beget growth rates — don’t just focus on the growth percentage of X metric, but compare it to the rate of growth from last year, are you accelerating or decelerating in a given area? Are you connecting metrics and tactics so that crushing it one area will lead to crushing it another? Ask more questions about where and how you’re compounding; there are outsized wins and more comprehensive stories toe realize. And that very much leads to…

Know the real goals

The goal is not to rack up engagements. The objective is not reach for the sake of reach. It’s about engagement rate or driving views and shares. That’s all great, but it is critical to understand what we’re trying to do here. That’s how to advance a career, too, learning about revenue streams, data-driven decision-making, and identifying opportunities to drive short-term (and long-term!) goals that are meaningful to the business. Ticket sales (and the various types of ticket sales and ticket buyers), merch revenue (and all its tentacles and variations), sponsorships (again, all the nuances and categories and impact results), community initiatives, new fan development, brand goals, and the list goes on and on. That’s why it’s not about being a sports fan (though that can help!)), but a fan of the business of sports. A student of the ‘so what’ of it all.

A bonus # 11 — Follower counts

Having seen multiple thought leaders and columns all talking about the present and future of followership, it’s more important than ever to consider what follower count and a follower means in 2026. The number of followers for a given account still matters (many can’t quit those optics), but it’s also true that follower count has never mattered less. What can and should replace follower count? What matters more? We’ve talked about hte intangibles, but from a pure data perspective, what’s a good measure of the health and viability of a given account on a platform? Could you look at the aggregate reach or engagement of the last 15 posts, the rolling average or median engagement for the last 30 days or 90 days or 365 days, or perhaps the number of unique accounts, or number of accounts as a percentage of followers, etc. etc.? When you stumble upon an account whose content catches your eye or is growing (in whatever sense), what would you want to know beyond their follower count?


Okay, so that was the data geek part of this post. I’ll try to keep part two shorter. It’s more akin to a strategy, tactics, or (sigh) trends look at 2026. It’s good to see a lot of musings from 2025 come to fruition, or be mentioned now in 2026 trends and predictrions post I’ve seen. If nothing else, if you read the below, I hope it conjures up thoughts and ideas, and stimulates compelling conversations. So, consider:

A face for the team

Real people are more engaging than brands, in case you haven’t heard. And I’ve loved the idea of a team face or quasi-host for over three years, and got the chance to speak to one of the pioneers in this space, Aviv Levy Shoshan a couple of years ago (excellent interview!). Someone who is good on camera and can develop a relationship with fans/followers such that it feels like a friend, just one with incredible access to your favorite team. We’ve seen some teams make moves in this direction, and I hope to see more.

Next-level creators

Ngl, this was also mentioned, in some form, in last year’s column. First, it should be said that there are talented creators in-house everywhere right now, they’re just creating for the team or league’s channels (though some do some fun BTS on their own accounts, too). Most creator activations are one-offs (partly the nature of the maturing creator economy), working with a talented artist or someone who’s more an influencer, to invite them to a game or collaborate on a single content piece. What would it look like to make a creator strategy an all-in, year-round strategy? More teams can hire mature, growing creators full-time or near full-time to create for their own accounts and the team’s. Or, heck, identify or cultivate a young talent and foster their presence, through access and collabs. There’s something to be said for the growth of cross-pollinating partnerships, too (we’ve seen a little of this). I’m not a creator economy expert (I know a guy!), not even close, but there’s even more to be done in the space and I’ll be psyched to cheer it on. Speaking of….

Global local content correspondents

Teams are increasingly national and global brands. They’re trying to develop and engage fans around the country and around the world, growing the relationship with those alreayd coming into the fold organically and expanding the base further. I spoke in the last podcast interview of 2025 about localization with IMG’s digital leader Lewis Wiltshire (watch/listen!) and indeed some properties are working through agencies to help with localized content and accounts. Many European football clubs have native speakers living and working in the team’s home cities in Spain or England or Italy or Germany, etc. Others have seen fan clubs or supporters club pop up organically (or through the team officially). There’s opportunity to turn those flames into conflagrations, establishing more direct relationships with creators on the ground, providing them with content (where applicable), showcasing the fandom in their country, activating around exhibition tours, flying them to major domestic or international events, connecting them with athletes, athlete hometowns (where applicable), partners, and local influencers. There’s a lot that can be done by having boots on the ground part of the team’s operation and org chart officially, and I’ll be psyched to see what can happen in this area. A good segue to…

Co-creation to the nth degree and democratization of content

In conversations with experienced thought leaders in the greater sports space, the phrase ‘democratization of content’ or something like it has come up several times. It seems like every time we’ve seen a league or sport loosen the grip on content, to whatever degree, it has resulted in more engagement, more reach and views, more fandom, and more revenue. The number of eager, talented creators multiplies by the day; how can we open up the barriers (where possible, vis a vis media rights) to enable these creators to get their hands on content and do their thing with it. Remixes and edits, hype videos, commentary and analysis, etc. etc. There have been some agreements here and there, particularly for YouTube channels to create and disseminate endless compilations (‘Best alley-oop dunks of the 2024-25 season’ or something) in exchange for a revenue share or upfront fee. But there is a vast, growing ecosystem of creators who are eager to create and, in turn, grow your brand and fandom. We just have to harness it.

Content production houses for athletes


It was something of a throwaway comment, but certainly revelatory, at the late 2025 Sports Business Journal Intercollegiate Athletics Forum when South Carolina Athletic Director Jeremiah Donati loosely estimated that 50% of the Gamecocks in-house content team’s work could go toward NIL activities for athletes. That’s not even a trend, but more likely just the new paradigm in major college athletics. What could this look like in the pro space? There’s been some activity around letting athletes use podcast studios, or the like, for their content production needs. But what’s the next phase of this, the next level? The partnerships and contracts likely need to evolve a bit to put in-house content teams to work for athletes content for the athletes’ own channels and partners, but there is a ton of value to give and take there. It may not get there in 2026, but it’s an interesting space to watch as the majority of athletes will soon have some content strategy (and one beyond posting Getty Images or AP photos)

Background content


A couple of mindblowing stats to kick off this section — the number of hours that podcasts on YouTube were watched on TVs hit 700 million hours in October 2025, an increase from 400 million hours October 2024. 300 million more monthly hours of video podcasts on TVs in a year! The second stat is from a YouTube video (one of many) that just shows a burning fireplace for 10 hours straight — now has nearly 200M views, growing about ~ 50M views per year (with a rising growth rate)! There’s a demand for background content or background noise for TV sets, whether to accompany someone while they’re working at home or just hanging out or engaging in household chores or reading or whatever. Those are a lot of hours up for grabs. Podcasts are one route that many are already investing in (including Netflix!), but it’s also intriguing to consider what your version of fireplace 10 hours or 3+-hour podcast could be. I’ll save my long list of ideas for another post, but this is a fun one to brainstorm, and the data seems to suggest there’s some smoke here.

More social events
(and places?)

We’re all looking for social outings. For experiences to post about on social media, and opportunities to get together IRL. The games are one attraction and event, but teams have vast databases from event attendees (most often attending with friends or family) with disposable incomes, and also have expertise in event production, promotion, and monetization. Sports teams are ultimately entertainment companies; the biggest ticket is the media rights of the show, of course, but they also host millions of event attendees every year. What other events, within but also beyond the game days, can teams host, co-lead, or collaborate on (with partners, influeners, creators, etc.)? This could lean in a more premium direction — wine and cheese and speciality food tastings, art exhibitions, and the like, but the opportunity is vast — local collectibles showcases (collectibles are all the rage!), fashion shows, speed dating, student events, more frequent casino nights and carnivals, pop-up coffee houses, TED-like talks, concerts of varying size, live action shows or plays, and the list goes on. They’re of course renting out their huge venues for traveling shows, but the opportunity in events can be those meant for groups in the hundreds or low thousands, supplementing the games and major events meant a packed stadium or arena.

More mascot, owned IP and character building

The rising value of mascots has been a trend for a few years now. There are mascots who generate massive value and even direct sponsorships, and new teams are making the mascot reveal a big part of the brand building. We’re seeing more mascot collaborations, whether special events across a city or league, or celebrating a mascot’s “birthday.” Mascots are, generally, truly team-owned IP, less shackled and more flexible than most potential content initiatives. What could the next level look like for mascot-led content, including but beyond TikTok skits? Could a team create (or collaborate on) kids-first content that could be the first choice on the iPad and YouTube for parents over Ms. Rachel or Cocomelon or another rewatch of the same episode of Bluey? How can teams leverage their IP, their powerful brands (including parents who want to create mini fans out of their kids), built-in distribution channels and partnership networks, and creative production capabilities to build content and characters and original music/songs? It could be kids-first, it could be adult animation (or non-animation, it could be anime — with AI and recommendation-driven feeds making experimentation less resource-intensive and faster and easier, the opportunity is there.

More prediction-style platforms and games

One of the earliest easy wins in sports social media was the start of the prediction contest. For the hockey world (where I came up), it wasn’t long before pretty much everybody had some variation of a prediction contest, most often guessing which player would score the first goal. (We also tried a ‘Beat The Streak’ game to predict an anytime goal scorer for consecutive games, a la the ESPN contest of the same name). Now, it’s clear 2026 is the year of the prediction, with prediction markets continuing to penetrate sports (and well beyond sports). Many teams have already continued to stand up some sort of prediction games, as they make for good sponsor assets for sports gaming and wagering partners, so expect 2026 to only offer more growth and more opportunity and even innovation in the prediction space, by and in partnership with teams and leagues. Could we go from first goal scorer to also, leveraging some advanced data, top MPH speed of the game? Or funny money-based parlays outside of the $$ wins and losses for the actual gaming platforms and prediction markets? It’s a slippery moral slope, but there’s no doubt prediction platforms, in some form, will be ubiquitous in 2026.

Interest group ambassadors

The internet is shrinking. Well, kinda. There are places for the most esoteric of micro-communities and fan segments everywhere, not to mention the bigger, less esoteric communities. Reddit continues to find new life, while Meta’s Threads (as I was anticipating!) seems to be evolving to something more like Reddit, with its expansion of communities-based features (but, noting that Threads still wants to be somewhat timely). A lot of teams are finding success in activating within these communities, whether through content, collabs, or even mini events and theme nights. How can teams and leagues identify and create ambassadors within these interest groups — power users, moderators, influencers, et al. who can be active liaisons and open up opportunities for unique, value-add content, collaborations, and conversations? This also goes along with another mini trend (not called out in the list above) of elevating and creating content with day-to-day employees within an organization — have the lead grass maintenance person talk about their job with a horticulture community, the team’s nutritionist talk food, the organization’s massage therapist demonstrate what you could do at home — and work with leaders within these interest groups to make these collaborations a success (and potentially cross-sponsorship opportunities). A theme of this column, like localized ambassadors and more ongoing creator relationships, can play out with interest-driven communities and groups, too.


If you made it all the way to end, good on you! You have the same energy and enthusiasm for this space as I do. Message me and let’s connect if we haven’t met before. Let’s have a great 2026!

Transforming Digital from Cost Center to Revenue Generator in Sports and What It’ll Take to Make it Happen

On episode 311 of the Digital and Social Media Sports Podcast, Neil chatted with Lewis Wiltshire, Senior Vice President and Managing Director, IMG.

He discusses his background in leading digital and social sports strategy, IMG’s strategy and approach in growing and monetizing global and local fan bases and partners, the evolving business models in sports, trends for 2026 from IMG’s Digital Trends Report, and more.

What follows are some snippets from the episode. Click Here to listen to the full episode or check it out and subscribe to the podcast via Apple or listen on Spotify or YouTube.

Episode 311: IMG’s Lewis Wiltshire on Sports Fan Development and Monetization Strategies for 2026 and Beyond

Watch or listen to episode 311 of the Digital and Social Media Sports podcast, in which Neil chatted with Lewis Wiltshire, Senior Vice President and Managing Director, IMG.

Wiltshire discusses his background in leading digital and social sports strategy, IMG’s strategy and approach in growing and monetizing global and local fan bases and partners, the evolving business models in sports, trends for 2026 from IMG’s Digital Trends Report, and more.


53 minute duration. Listen on AppleSpotify and YouTube

A Creator Economy Founder’s Practical Guide to NIL, Niche, and Negotiation

The athlete marketing complex and the creator economy are converging.

It was bound to happen. Athletes were among the earliest proto-influencers. So it only makes sense that, as opportunities in the creator economy grew and diversified, athletes could build on their influential platforms and become multi-hyphenate creators. But there’s an inherent paradox for elite athletes here: the tunnel-vision dedication and discipline that propels them to excellence in their sport can seem to brush aside extracurricular opportunities for some, while fueling a measured approach for others.

Most athletes only have a limited window of time to even consider the opportunity to develop and monetize their brand. A minuscule portion will get big stages in the pros or in prominent international competition, but the vast majority won’t. So their few years in college comprise that small window, though that doesn’t mean it’s easy or a given. Rachel Maeng has a unique POV having had various perspectives of the creator economy, athletics, and running a business. She competed in college sports, built her personal brand, negotiated brand deals for others, and counseled creators and athletes alike. She dispels the notion that every college athlete is engaging in ‘NIL,’ the shorthand for referencing all things related to activating and monetizing the name, image, and likeness of athletes.

“I talked to so many athletes in college and high school that are like, ‘I’m not doing NIL deals; honestly, I don’t have any time,'” said Maeng, who was a coxswain on the Rutgers rowing team during her college years. “In reality, I would say from what I’ve seen, maybe like 10% of each roster actually in college actively participates or is even interested in doing NIL deals. Because think about it, like, when I was in college, we were practicing every day at 7 a.m., and then I would go to class, and then I would have 3 p.m. lifts, and then I would go to class, and then I was in clubs and organizations…When does that leave time for me to create content and negotiate and do all those things? It doesn’t. And in reality, some kids cannot time manage as well as some other kids, so they’re not able to participate because they would fail classes or they would fail at their athletic opportunities.”

Given that use it or lose it nature of the college athletics platform, however, there can be a degree of pressure to squeeze it all in. You can’t leave money on the table, your peers are doing it, family and friends may expect it — there’s no shortage of factors that can weigh on a student-athlete’s mind. Maeng sees the struggles firsthand and recognizes not just the burden placed upon student-athletes trying to balance it all, but also the gap in education for those wading into the NIL game.

“I think the media and the social media that we see about, like, Oh, this kid made $8 million, so and so athlete just made a couple hundred thousand [dollars] working with Nike. That’s great, and that’s a great opportunity for that athlete who can handle it, who maybe has a team around them that can handle that. But if you can’t do it, you can’t do it,” said Maeng. “I think that we can’t put pressure on athletes to be able to participate in NIL while not giving them the education about how to do everything that comes with being your own business and running a business. And then there’s the mental health aspect that we were talking about before. There are just so many factors, I think, that go into it. You can’t expect it.”

But while NIL development and deals may not be for everyone, there are still a lot of student-athletes who do choose to wade into those waters, doing the quasi-creator and influencer thing alongside their athletic and academic endeavors. One of the best parts of college athletics, too, is the sheer diversity of student-athletes. Not only the sports they play, but their background and interests, present a panoply of ways to cultivate an audience that’s attractive for a brand.

There are only a select few athletes in the pros, let alone college, that have universal broad appeal. The same goes for creators, which is why the majority of creators lean into specific segments or niches, which can make them appealing and authentic endorsers for partners. It’s simplistic, but sometimes effective at a surface level, to jump on trends and pop culture topics, but generic audiences and content, absent immense, undeniable scale, do not make for an effective NIL. Brand deals shouldn’t feel random, but organic and expected. Maeng explained how she’d advise athletes, informed by her work with athletes and non-athlete creators alike.

“As it pertains to athletes, you can go out, and you can dance and do only trends and get a good amount of followers,” said Maeng, who was CEO and Founder of influencer and athlete-driven brand marketing and media production company GEN Agency before selling it. “But as soon as you start advertising, I don’t know, Nike or Jordan or you start advertising Kellogg’s Pop Tarts or Pringles, if you’ve never talked about those products before, your page has nothing to do with it, [then] it feels very inauthentic. So, if you’re a content creator and you’re also an athlete and you talk about training, then you talk about your family, you talk about your lifestyle, maybe you even talk about, like, skincare, you know, because you’re an athlete, you’re sweating, so how do you clean out your pores, I would 100% trust you to tell me what food to put in my body, what things to put on my skin, how to train for acceleration or how to train for explosion. Because those are the things that you have demonstrated expertise in.

“So I definitely think athletes should have some sort of niche to them. But then also, too, you’re a full-time athlete. You are literally spending all your time training or actually participating in a sport. You have limited time outside of that, especially as a college athlete, so pick and choose your battles, pick and choose your free time. And if you’re just making really general content, you’re going to eat up all that free time.”

With experience on all sides of the equation, Maeng understands the perspective and goals of brands and creators alike. When it comes to marketing and creators, brands think about audiences. Whom you can reach will largely dictate the brands and products/services for which you’re an appealing partner. For creators and athletes alike to make themselves attractive to brands, they have to consider why brands work with creators in the first place, and what goes into their decision-making, as Maeng explained.

“When a brand does marketing and uses some sort of talent to market, it’s because that talent can speak to the ideal customer that the brand has,” said Maeng, who today is a fractional COO and CMO, in addition to her work as an investor and adviser. “So like, if I’m Old Navy and I’m launching a new jeans campaign, I’m not going to talk to someone that is probably the same person that State Farm is using to talk about an insurance product. Why? Because the jeans might be for Gen Z people who are going to be under the age of 26, and State Farm Insurance, etc., you’re on your parents’ insurance until you’re 26, so you’re not going to be buying the same product that you would at 26 with the jeans. So it’s creators and talent who have that same ideal audience as the brand.

“Then lastly, it’s figuring out what brands are really interested in. If you see a brand never having been on TikTok, they are probably not going to immediately choose you to be on their TikTok; like, figure out where they are and meet them on the platforms that they are.”

The ball in the athlete’s court is just as important as the brand’s. It can be tempting to say yes to every paycheck, every deal. But as a creator athlete develops an audience, it’s the trust their audience has in them which makes them an appealing endorser in the first place. As many examples have shown over the years, one false step can inhibit the perception of dependability and integrity. This is another layer of counsel that NIL-focused athletes need as they figure out this space.

“At the end of the day, don’t tie yourself to products that aren’t quality, right?” said Maeng, who was an official TikTok partner as the platform ramped up its creator strategy. “Like, you don’t want to turn into these athletes that got caught up in the crypto scandals or any of the other scandals out there because they didn’t do their due diligence, because they thought this would be easy money. They didn’t look into who owns the company or what products were in the product or all those sorts of things…

“When I become an advisor, I put my name, image, and likeness on that company, and my belief in them and my expertise go with them, and my credibility goes with them. So I think everyone has to do their due diligence and really make a very serious, forward-thinking decision if they would like to tie themselves to that.”

There is no shortage of suits getting into athletes’ ears, preying on their untapped potential and relative naivete, to sign them up as a client. And sometimes, agents are a great value-add, but the notion that every athlete seeking to monetize their NIL needs an agent is misleading, Maeng told me. She explained the key considerations in what an athlete needs and when an agent does and does not make sense to bring into the fold, and the potential risks to watch out for.

“In my opinion, if you have your own platform and if you have opportunities in brand deals, you don’t need an agent, you just need a lawyer, and maybe a publicist, someone that can help get your SEO out there, can help get you in front of good opportunities,” said Maeng, who also noted that brand deals don’t happen willy-nilly, but are more often part of brand campaigns planned months in advance. “But an agent should only be used if their opportunities and the things that they have for you outweigh what you currently have. Because at the end of the day, agents make a commission, so they really only get paid on what they bring in or what they work on. And it might get to the point where one agent has like 30 athletes, and he doesn’t have time to work on the bottom 20, he’s only working on the top ten, and you’re going to get upset, you’re going to get unmotivated, all those things, because you realize someone doesn’t care about you or your business as much as you do.”

All of these factors discussed in the preceding paragraphs illuminate the main point: student-athletes, college administrators, university leaders — all this stuff is new to them. The responsibilities for overseeing and preparing athletes for NIL deals are not something to be added to an existing role in the department, nor is an added hire from within the sports world. College programs need someone who has done the thing, who has worked with brands, managed creators (and/or were or are creators themselves), who knows all the things those aforementioned parties don’t.

Maeng and others like her have spent time at schools, working with student-athletes and school administration. She’s seen the gaps to fill, and she spoke with conviction, enumerating the must-haves for these programs to set up their student-athletes for success.

“I think, number one, there are too many agents in the space and not everybody needs an agent, honestly. But I think there are people like myself, people like Sam Green, and people in other companies like Advance, at Greenfly, who are experts in what they educate about.

“Schools should bring in people who can not just speak from experience and speak on education, but I think schools need to actually go a step further and develop curriculum for their athletes about what is a personal brand, how to build it up, how to put that voice into action on social media, then how to make an LLC, how much money that you have to put away for taxes, how to file taxes, how to find a good manager and interview them and figure out if they’re a good fit, how to talk to brands, how to negotiate, how to even turn that into a bigger opportunity. All the things that go along with NIL, I think, need to be taught in some sort of classroom environment.”

This NIL era is new for everyone, not just the student-athletes at the center of it. The systems are being built by the day, the rules are constantly evolving, and many of the administrators and leaders are learning as they go. There is no precedent for programs to follow to adapt to the new normal, but, Maeng reminds us, it’s okay to recognize that there’s a lot you don’t know. The creator economy has been around for years, so while a lot of this is new (and nuanced, to be fair) for college athletics, there are those far more experienced and informed that schools can and should lean on and learn from. Maeng offered her perspective, having worked with schools, and what she’s seeing in the industry.

“I think anyone that has brought in a good platform or a good partner, whatever it is, is taking those first steps; it’s really important,” she said. “Just even admitting they don’t know everything, because, you know, you don’t know everything. I don’t know everything. I don’t even call myself an expert. So I think people that are actively making steps to make this easier on athletes, to make the experience something that they can actually leverage and learn from, I think they’re doing a great job.

“They have to just keep trying to help the athletes and keep trying to be better in the space.”


WATCH OR LISTEN TO THE FULL INTERVIEW WITH RACHEL MAENG

READ THE SNIPPETS

Key Considerations for Student-Athlete NIL from a Creator and Brand Marketing Veteran

On episode 310 of the Digital and Social Media Sports Podcast, Neil chatted with Rachel Maeng, Adviser, Fractional Executive, Investor, expert in influencers, sponsorships, events, and NIL. Rachel discusses her career as an entrepreneur and operator in brand partnerships, creators, athletes and NIL, events, influencers, and more, including founding and selling her own agency.

What follows are some snippets from the episode. Click Here to listen to the full episode or check it out and subscribe to the podcast via Apple or listen on Spotify or YouTube.

Episode 310: Rachel Maeng on What Brands Want from Influencers, Athlete NIL Development, and the Present and Future Creator Economy

Watch or listen to episode 310 of the Digital and Social Media Sports podcast, in which Neil chatted with Rachel Maeng, Adviser, Fractional Executive, Investor, expert in influencers, sponsorships, events, and NIL.

Rachel discusses her career as an entrepreneur and operator in brand partnerships, creators, athletes and NIL, events, influencers, and more, including founding and selling her own agency.


101 minute duration. Listen on AppleSpotify and YouTube