LA Galaxy and Laduma Unveil VR Series: Here’s Why and How It Looked

It’s not easy to stand out in Los Angeles. Between the celebrities, the traffic, and pro teams in the NBA, MLB, NHL, and, now, NFL, there’s no shortage of competition for attention.

So how can LA’s Major League Soccer team the LA Galaxy (soon to be joined by LAFC) capture fan attention? They can be first.

That was one of the themes of Galaxy President Chris Klein’s remarks in introducing the Galaxy’s new virtual reality series for fans, produced with Laduma. VR was their opportunity to be first, and Klein was confident that the project would capture the attention of the right people in the right way.

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LA Galaxy President Chris Klein addresses media alongside CEO of Laduma, Ben Smith

Klein pulled his phone from his coat pocket, emphasizing how the young fans they seek to reach are tethered to their mobile devices, thirsty for snacks of access to the sport and players they love. Beyond simply the young, tech-savvy demographic of fans, Klein emphasized his conviction that the Galaxy’s VR series would capture the attention of new fans, help the stories of their players truly come alive and affect fans, and drive conversations about the experience. In a city like Los Angeles, the ability to enter into the awareness and casual conversations of fans is invaluable.

So what was it like?

After Klein and Laduma CEO Ben Smith addressed the gathered media, we had a chance to try on some Laduma-branded VR headsets (the Galaxy plan to sell a corporate partner on the VR content campaign) and check out the series. Countless shoots from tons of angles, followed by stitching together all the feed and perspectives ends up in an immersive, truly 360-degree, in-your-face environment.

Before I slipped on a headset, I enjoyed seeing the excitement and expression from others. The entry into a VR world can be truly stunning and the depth of that created for the Galaxy and level of production caused some enthusiastic exclamations.

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First, I think these produced, made-for-consumption VR series is the best use of the technology for sports fan engagement, at least in the short-term. Even the best VR experience cannot recreate the experience of being at a game amongst friends (and beer), but VR can transport one into places and views they never thought possible.

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You’re at practice in the circle while the players juggle the ball around, you’re next to Steven Gerrard as he’s talking about LA experience, you’re in the locker room alongside the players, and walking out in the tunnel with them, with the sound and view of passionate fans screaming in your face.

And then the most magical thing of all happens.

They look at you. For a fleeting moment in each of the videos I watched, eye contact, once from a player, once from a fan incited a feeling difficult to describe. It’s a sensation of sentience, when it’s not just a video you’re watching, but a world you’re in. That’s the epiphany for driving emotional fan attachments.

It’s really cool to be behind the goal when a goal is scored and a celebration ensues inches from your face or next to the line of players participating in a practice drill, but it’s that (perception of) reciprocation of awareness and feeling of immersion that makes me think this novelty of VR may indeed be worth it for the Galaxy. Not just as a corporate partner activation tool, but as a fan engagement tool, and one that’ll have them talking and feeling long after the headset is removed.

Episode 74 Snippets: Peter Stringer on how the Boston Celtics build value with Social Media

On episode 74 of the Digital and Social Media Sports Podcast, Neil chatted with Peter Stringer, Vice President of Digital Media for the Boston Celtics.

What follows are some snippets from the episode. Click Here to listen to the full episode or check it out and subscribe in iTunes or Stitcher.

Posted by Neil Horowitz

Follow me on Twitter @njh287 Connect on LinkedIn

Ratings, Content Consumption, and Rio

If you pay attention to the sports business, you’ve no doubt seen the headlines of the less-than-impressive TV ratings for the Olympics. (Down 17% from prior Games) Even when taking into account the 1.5 billion+ minutes of streaming (just 1.5% of total Olympics viewing time, per @SportsTVRatings).

The drop is primarily attributed to Millennials, but, more to the point, fewer consumers watching traditional TV. There’s no doubt that, between cord-cutting and streaming services, there’s less linear TV being watched per capita these days. But live sports (and major live events like awards shows and finales) have not succumbed.

One can point to the 17% decrease in ratings for the Olympics, while another can point to the fact that two of the past three Super Bowls have been among the most viewed ever. If the Olympics were live, in primetime, with millions able to watch concurrently, perhaps the drop wouldn’t be so dramatic. In fact, in a recent survey of sports fans, 93% of respondents said they view sports in real-time, and 73% said it was important to be able to access sports content whenever and wherever they want it. (Source)

But there’s a different way to look at it, of which many sports and digital pros can take heed. It’s past due that the old-school metrics don’t match up to all the ways content can be consumed and all the measurable activity at our disposal. When you can get ALL the numbers in one place — Facebook engagements, Snapchat views, Tweets (and Twitter video views + photo clicks), Instagram actions, streaming, and, yes, linear TV viewing.

With the cross-platform consumption habits that prevail these days, even with major sports, it’s naive to look at only at a single metric. It’s not about TV viewers, but about total audience reached.

And total audience engaged. This is where a lot of insight can come from, even as it paradoxically lends more value to the linear TV viewers, whose time spent consuming is far greater than digital consumption, at least on the surface. So now, because we can, it’s about measuring not just share of total audience, but share of total time spent consuming your content. And that content can take several forms — clips, GIFs, live viewing or streaming, photos, and even posts on Facebook, Instagram, and Twitter. Let alone the conversation all that content consumption creates that further enhances the reach .

It ultimately does, indeed, come down to dollars and cents. Content consumption, especially when it is tied to a $12 billion contract (as NBC is paying for rights to the Olympics through 2032), is only as valuable as it elicits exposure to brands and ads. And this Olympics has seen the (gradual) start of the maturation of this field.

If millions are NOT watching the Olympics on TV, but ARE consuming it in some way, on some platform, then the brands and sponsors must follow. But these non-TV viewers, many of them the so-called “Millennials,” are more apt, and more able, to block the ads, ignore them, or simply not tolerate them altogether. And sponsors and media rights holders / content creators are learning, experimenting, and improving. Just look at the continued growth of P&G’s campaigns that take behind the support groups (especially Mom) behind the athletes. Or Under Armour’s much-celebrated Michael Phelps ads that feel more like a movie or documentary than an ad.

Taken altogether, what does this all mean?

First, don’t be complacent to exist in a silo. Measure your total audience, total time spent engaging with your content, and even conversation created, and content shared. (Content consumed via a share is arguably worth more, because the social proof will inspire deeper engagement). Make it an ongoing effort to evolve your metrics and reporting to, as much as possible, consolidate all the ways fans are being reached, in one place.

Second, don’t rely on live viewing that can be interrupted by ads. This model may still work today, and perhaps far longer than we’d like, but it is changing. Consumers are changing. Ad blocking is real. Closing a window or video when a pre-roll ad is simply too long or intolerable is a legitimate concern and new norm for many. As more content consumption shifts to platforms where users have more control, and do not have to tolerate ads every few minutes (remember the Olympics Opening Ceremony?), sponsors have to find better, value-add ways to capture consumer attention.

Finally, there is no sports bubble, at this time, at least from this perspective. As more sports fans all over the world have access to a smart phone (and therefore Internet), even if many more will NEVER have the means or desire to have cable, the ability to reach and engage more fans, all around the globe, will continue to grow. Imagine citizens of Tonga able to see and tweet about their trending, oiled-up flag bearer. Or fans in Serbia able to catch clips of their basketball team’s silver medal finish in basketball.

The opportunity to reach fans in greater numbers, on more platforms, for more time, is rising. TV numbers may be down, but coverage and attention of the Olympics is likely reaching a new zenith. The fans are still there, they’re still engaged. The platforms and the habits are what has changed. And things will never be the same. Nor will the metrics.

Social Media Takeovers Build Fans That Care

Think back to high school or college. Now think about those events, those games that only ended up attending because  you had a friend on the team. What made you plan your afternoon around attending the softball game? Or pregamed before a squash match?

Because relationships.

Major sports these days have excitement, allegiance, and brand propelling fans to watch, engage, and attend, but the biggest fans are those that feel more than just a fan-team relationship, it’s more tantamount to cheering on a son or daughter or a good friend.

And developing that emotional is easier now more than ever. How? The social media takeover. This is one of my favorite uses of Snapchat, in particular, and many sports teams and organization are using Snapchat takeovers to give fans a look at personalities, a day-in-the-life feel for the work that goes into living the life of an athlete, and building connections with player brands that’ll have fans cheering them and consuming content about them, and driving that feeling of a lovable obligation to support anything and everything they do.

The Carolina Panthers are among my favorite teams that embrace Snapchat as a medium. They capture the day-in-the-life perspective and personalities on the team so effectively. And, through their Snapchat takeovers, fans come to know and love a lesser name like Graham Gano as much as reigning NFL MVP Cam Newton.

It doesn’t just make fans feel like they’re hanging out with the player for the day, in addition to giving them a cool, inside look at the facilities and stuff inside, it also brings out the interactions and personalities with his teammates. All of a sudden, it starts to feel like you’re getting an exclusive look at how players interact with each other that not even the Adam Schefters of the world are privy to.

It’s as if a player is making a home movie, for the fans. And even Coach Ron Rivera gets to showcase his playful relationship with his players. A social media manager can help, as needed, but this is what Snapchat is about – sharing content with, and consuming content from, friends, not brands.

While the Panthers help bring out each of their 53+ players effectively with Snapchat takeovers, another standout sports brand that markets its individuals effectively in this manner is NASCAR. While there are some avid auto racing fans, it’s no coincidence NASCAR is at its strongest when universally known stars with names like Petty, Gordon, and Earnhardt are dominating the field. And Snapchat has allowed NASCAR to get fans to fall in love with their new names more than any race win can do.

The growth of social and digital media in sports has ushered in the explosion of all the content that is BEYOND the actual game or race or match. The trip to the movies with teammates on an off-day, the time spent in the gym or getting physical therapy, the time spent in the locker room (or “ready room,” as Michael Phelps made famous in Rio), or the moments they’re getting prepped and strapped in before a race. When you can appreciate all the details and buy into the personality and passion, you’re watching not just for entertainment, but because of emotional investment and inspiration.

I personally think just about day-in-the-life perspective would be interesting (I am George Costanza), but for athletes, that’s more true than any old ‘regular’ lifestyle or job. It’s why social media is exploding among sports and especially individual athletes. Because so many dream of being a big sports star, a peek into their lives leads to content of which fans cannot get enough. The social media team at Pac 12 Network consistently do some great Snapchat takeovers that gives fans that first-person, narrative perspective of the behind the scenes of behind-the-scenes.

Not only is this look at facilities and friendships (and food and film work) a value for Oregon State’s recruiting, it is an incredible look into the life of a D-1 football player for fans. Want to know film study looks like, what a Pac 12 football player eats, and what it’s like to chill in the tub after practice? This Snapchat takeover gives fans the understanding of the work and dedication and lifestyle, and makes them feel like they’ve spent a meal, a meeting, a day chilling with an athlete. And then can’t help but want to see how he does on the field, checking in on his game or stat line like a friend.

This is all easier said than done. To get an athlete willing to buy in and the team to allow such access is not always a simple sell. But it’s a heckuva lot easier than it ever has been. Athletes these days are brand conscious more than ever; they appreciate the opportunity to use the team’s platform (and expertise) to reach thousands or millions and to build that personal connection with not just the team, but themselves. And the younger athletes are more social media-savvy (or at least experienced), meaning they aren’t Ludditically afraid of the new tools, but understand their power.

Fans will cheer more, follow more, and engage more when they care. Takeovers [on whatever medium] drive the connections that make them care. Don’t let this terrific tactic go unused. Build fans that feel like friends.

Episode 73 Snippets: The Jacksonville Jaguars are Building Their Brand and Fans Through Digital

On episode 73 of the Digital and Social Media Sports Podcast, Neil chatted with Chris Burdett, Senior Digital Manager for the Jacksonville Jaguars, and Lauren Whitaker, Digital Manager for the Jaguars.

What follows are some snippets from the episode. Click Here to listen to the full episode or check it out and subscribe in iTunes or Stitcher.

Posted by Neil Horowitz

Follow me on Twitter @njh287 Connect on LinkedIn

An Early Look and Analysis at Instagram Stories

Another week, another monumental change in social media. Instagram has brought Snapchat’s cache to Facebook’s empire as the photo sharing app introduced 24-hour “stories.” That came shortly after Snapchat introduced its “memories” feature, allowing non real-time content to be added to one’s stories.

For social media and sports managers, it’s just another new challenge in the ever-evolving world of social and sports. Most err on the side of action – start producing content, figure out what works, pay attention to peers, and listen to your fans directly (what they say) and indirectly (what they consume and engage with).

How are those in sports approaching it so far?

Some are basically treating it as a daily look at its Instagram stream, or at least some of it with others perhaps not ‘worthy’ of cracking an official IG post. Others are not treating it very much like Snapchat, with a more polished, less raw Snapchat-like feel. And still others are experimenting with more unique ways, building something of a narrative, but less day-in-the-life than we’re accustomed to seeing on Snapchat.

Check out what the Detroit Tigers are doing. The Instagram story conveys similar messaging, and even has a similar dance scene as seen in the Snap on the far right. But even that dance video is more up close, more, well, Instagram-like. If a Snapchat story is meant to feel like a fly-on-the-wall, perhaps an Instagram story is better suited to feeling like a behind-the-scenes story built just for you.


Sports Illustrated utilized Instagram’s Stories to present its top photos (very much Instagram photos) from the day. This is an easy, swipeable way for users to see a curated collection. Instead of happening upon some of SI’s work in the (now algorithim-based) feed, users can CHOOSE to tap on the SI story and check out the day’s work. It’s a not a story, per se, but a solid use of the feature for users accustomed to swiping through (all of the, but in this case the best) content of the day.

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Major League Baseball had a similar ‘see what you missed today’ approach, presenting their Instagram story as a visual look at the headlines from the day. Perhaps similar to what you’d seen on Twitter, but in a story-ish, swipeable format for quick and easy consumption (and that expires automatically!).


The San Francisco Giants took a unique approach to Instagram stories, eschewing the rawness of Snapchat and the feed-based consumption of traditional Instagram to use the new feature to do something, of value, they could not do before. That is the key. This disseminates information, delivers the visual appeal for which users tap on their Instagram app, and is presented in a narrative format. This is a nice approach and will work with versatility as other stories merit. It’s not the ‘I just stuck out my phone and here is what I see’ fun of Snapchat, but something new and delightful for the user.


The Pittsburgh Steelers’s early foray into Instagram Stories typified an approach of many, basically reproducing a Snapchat story for Instagram. While this one is shorter than their Snapchat story (likely more because of a decision for which app to have open at the time), the product was very much the frivolity of authenticity of Snapchat.

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And, one last example from The King – Lebron James, that is. His Instagram story looked and felt like a Snapchat story. Not exactly thinking outside the box, but that’s the point. With Snapchat’s limited metrics, James and others may be better off spending their time on Instagram, where they know (and brands that may work with them know) the millions of followers on their accounts.

So perhaps the conundrum isn’t the complex quagmire it seems on the surface.

While we grapple over how to approach this new feature on Instagram, its CEO, Kevin Systrom, said its resemblance to Snapchat isn’t just uncanny, but intentional.

Instagram wanted a way for its users to capture and share the moments that aren’t perfectly crafted or meant to befit a brand for which they want to be known.

Experiment and explore, yes. Learn what works. But don’t overthink it; Systrom and Instagram didn’t. Use Stories to, well, tell a story and/or do something unique. A story will build the FOMO and anticipation we seek in fans. A story will keep fans swiping through til the end. And, now, that story that you wish you could share with others (non Snapchat users) to build them into the super fans with such raw, genuine content is available to a broader audience than ever before.

I look forward to seeing more creativity from the SMSports Community as Instagram Stories matures and evolves! The key principles never change. Know your audience (not your fan demos, the demos of your fans on a given platform), know how the platform is used, and share content that makes fans feel closer and a part of the team. Elicit emotion and you’ll win.

 

New Media and Sports Sponsorship: You Can’t Buy/Sell What You Don’t Know

Ah, the rate card.

For years, corporate sales teams have at times lived and died with their rate card. A list of assets, the price they’re going for (a price often arbitrarily created years ago and increased over time with inflation and demand), and they went about their business checking off the boxes, selling out the inventory, activating/executing, reporting, and then, repeat the cycle season after season.

But then digital and social came along and upset the paradigm.

Most have heard of, or experienced, a fixed quantity of Facebook posts, or a tweet emailed for a paid-for copy and paste job. It’s not that brands, and even sales people, thought this was the most effective use of the resources for the sponsor. It’s that they didn’t know anything else to do. Sponsors didn’t know to ask, account executives didn’t know what they didn’t know.

Evolution has indeed occurred, and there is more collaboration now than ever between social and digital teams and corporate sales and sponsorship teams. The NHL’s Pittsburgh Penguins have fostered such a collaborative environment, and they even go even further, building and equipping their team with sponsor-able assets that can go right along more traditional assets on their now maturing rate card. Penguins Manager of New Media Andi Perelman explained how they do it.

“One of the things we do in the offseason is put together a list of sponsorable inventory,” said Perelman. “Everything we  would want to put out there even without a partner, that we could tie a partner into. Sometimes we even put suggested partners, build out templates, and…(show) how they could fit into partners’ brands.”

There is so much (consistent) content sports teams are putting out there that fans enjoy and continually consume. Most studies have shown fans (yes, even Millennials) don’t mind sponsor integration, if the content is good. But most sponsors don’t live in social and your corporate sales team doesn’t know what content and contests can be easily produced that fans will want to engage with.

It all comes back to listening and communication (doesn’t it always?)

The corporate sales team listening to the social team. The social listening to the sales team. Both sides listening to what the partner is telling them. Because we’re beyond logos. It’s an era of objectives and activation.

“We have to listen to what partners are trying to achieve,” said Perelman, who spoke to the flexibility of the social team, but determination to stay true to their fans. “Now, we’re just hoping we can get to the point that everything we’re selling is something we really believe in and is something that is going to perform the way we expect it to, both for us and the partner.”

This is not some sort of trade-off where fans must tolerate advertising in exchange for content. The social team knows fans crave content and welcome engagement, and they know how to creatively weave it all together to help what the corporate partners want to accomplish. But it’s important to not leave the sales teams nor the partners guessing. The social team knows what content can (and already will) be created.

The sales team is on the ground, trying to decipher this new world of digital and social and convey the value to sponsors. Teamwork, transparency, and teaching (from/to all sides) has to happen. That is how the paradigm will evolve. That is how sponsorship will mature to a place more valuable, for all parties, than ever before.